Duncan’s interests and practices range from canine haute couture to improvised prison weaponry, from brutalist architecture to the history of skateboard design. Essentially he is a fetishist, obsessed by everything that the world presents to him and brings an obsessive level of perfectionism to his work. Like many artists, he divides his time between studio practice and paid work, but unlike most artists he sees this split as creatively useful. When an artist is able to view everything as at least potentially interesting then a day at work becomes much more than a necessary evil, it becomes a kaleidoscope of visual and poetic potential.